courses

INTERMEDIATE FRENCH THROUGH PERFORMANCE

This course uses various forms of performance art – music, theatre, film, literature, and radio – to deepen students’ knowledge of French and Francophone culture. Various media will demonstrate the role that such art plays in society, including social commentary as we see in Yasmina Reza, and philosophical reflection, as we see in Jean Paul Sartre. It is thus a gateway course but also, at the core, a language course. The objective is to apply the intensive revision of grammar students receive in the first installment of intermediate French and to improve oral and written expression. Learning a language is already a performance in many ways!

Select Texts :   Huis Clos (1944),  Le Dieu du carnage (2007), as well as legends and short stories from the francophone world.


RITES DE PASSAGE: L’EDUCATION & LA JEUNESSE
Written and Oral Argumentation through Contemporary Texts

An intensive course focusing on oral and written argumentation, proper nuanced expression, improvement of syntax and vocabulary-building strategies through the exploration of contemporary literary and cultural texts. This course in particular is focused on the theme of “seuil” that is the in-between spaces of public and private, youth and adulthood, self and other.

Select texts and films : Les récrés du petit Nicolas (1961), La Place (1983), Kiffe Kiffe demain (2004), Bande de filles (2014), and Persépolis (2002, 2007).


FRANCOPHONE CULTURES: REPRESENTATIONS OF COLONIAL SPACES

“Representations” provides a gateway to francophone spaces by questioning the very paths that we take, the materials that we consider in order to lend us particular ideas of the francophone world.  Broadly speaking, the course examines the literary, filmic, and cultural representations of colonial and postcolonial territories over the course of the 19th and 20th centuries. We not only explore the diverse topography of the francophone world, but also reflect on how different spaces are viewed, represented, remembered, and imagined by the external spectator. Authors include Gerard de Nerval, Assia Djebar, Marguerite Duras; as well as films by Claire Denis, and Regis Wargnier.